TWO:"That fiend probably told some accomplice," he said.Caloric or air engines.
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TWO:The excellent man went on weeping, and I was not able to console him and did not know what to say. He took my arm, and led me to the large common hall, where twenty wounded Germans lay, who had been hit in the fight for the forts. He went to one bed after the other, and, with tears in his eyes, asked each man how he felt, and inquired, "Are you ... properly ... cared for ... here? Are you?" The sick men turned round, their eyes beamed, and they stammered words full of gratitude. Others said nothing, but took the Head's hand and pressed it long and warmly.Im letting you see I am straight with you, he remarked.
THREE:They did not understand, of course, that poor Belgium would have liked nothing better than to remain neutral also.
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THREE:The town was full of soldiers, and I had great trouble to find lodgings. "Tout est pris par les Allemands" ("Everything is taken by the Germans") was the answer I got everywhere, with the result111 that I was still hunting for a bedroom after six o'clock, although nobody was then allowed in the streets. I was stopped at every turn, and after explaining my case got a hint to hurry up.
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THREE:"Possibly! Not allowed!""Vis? Do you mean to say, sir, that the whole of Vis has been set on fire?"
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THREE:In regard to shaded elevations, it may be said that photography has superseded them for the purpose of illustrating completed machines, and but few establishments care to incur the expense of ink-shaded elevations. Shaded elevations cannot be made with various degrees of care, and in a longer or shorter time; there is but one standard for them, and that is that such drawings should be made with great care and skill. Imperfect shaded elevations, although they may surprise and please the unskilled, are execrable in the eyes of a draughtsman or an engineer; and as the making of shaded elevations can be of but little assistance to an apprentice draughtsman, it is better to save the time that must be spent in order to make such drawings, and apply the same study and time to other matters of greater importance."You scoundrel, you cur!" she hissed. "If I had a weapon in my hand, I would kill you and die happy. Why have you done this thing?"
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THREE:Ten minutes, twenty minutes passed, whilst Gifford fidgeted with a half-chewed cigarette in his teeth. Then there was a distant whirr, two flaming eyes and the gleam of brass and steel.His parachute isnt loosened or unfolded, he responded, working to get the spark of life to awaken in the man he bent over. No, Larry, from the looks of thingssomebody hit him, while they were away up in the air, and jumpedwith that life preserver.
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THREE:But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.
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TWO:In vindicating human freedom, Plotinus had to encounter a difficulty exceedingly characteristic of his age. This was the astrological superstition that everything depended on the stars, and that the future fate of every person might be predicted by observing their movements and configurations at the time of his birth. Philosophers found it much easier to demolish the pretensions of astrology by an abstract demonstration of their absurdity, than to get rid of the supposed facts which were currently quoted in their favour. That fortunes could be foretold on the strength of astronomical calculations with as much certainty as eclipses, seems to have been an accepted article of belief in the time of Plotinus, and one which he does not venture to dispute. He is therefore obliged to satisfy himself with maintaining that the stars do not cause, but merely foreshow the future, in the same manner as the flight of birds, to the prophetic virtue of which299 he also attaches implicit credence. All parts of Nature are connected by such an intimate sympathy, that each serves as a clue to the rest; and, on this principle, the stars may be regarded as the letters of a scripture in which the secrets of futurity are revealed.443
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THREE:"German sappers and other military men cleared away the dead and the wounded. They also discovered General Leman, whose orderlies, who had a miraculous escape from death, were already busy in rescuing him from underneath the ruins.
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THREE:"Get me food," he said; "they starve you in those places yonder. I have tobacco, but my stomach craves for food. Go and get me food. I'll go and lock the area door so that you may not give way to a desire to take the air. After that you can find me something."I have been able to assist a good many of these unfortunate people by bandaging the wounds with the dressing they gave me, or getting some water for them from some house in the neighbourhood; and one, who had fallen down exhausted by pain, I carried into a house.
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THREE:The De Rerum Natura is the greatest of Roman poems, because it is just the one work where the abstract genius of Rome met with a subject combining an abstract form with the interest and inspiration of concrete reality; where negation works with a greater power than assertion; where the satire is directed against follies more wide-spread and enduring than any others; where the teaching in some most essential points can never be superseded; and where dependence on a Greek model left the poet free to contribute from his own imagination those elements to which the poetic value of his work is entirely due. By a curious coincidence, the great poet of mediaeval Italy attained success by the employment of a somewhat similar method. Dante represented, it is true, in their victorious combination, three influences against which Lucretius waged an unrelenting warfarereligion, the idealising love of woman, and the spiritualistic philosophy of Greece. Nevertheless, they resemble each other in this important particular, that both have taken an114 abstract theory of the world as the mould into which the burning metal of their imaginative conceptions is poured. Dante, however, had a power of individual presentation which Lucretius either lacked or had no opportunity of exercising; and therefore he approaches nearer to that supreme creativeness which only two races, the Greek and the English, have hitherto displayed on a very extended scale.
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TWO:IN LIGE AND BACK TO MAASTRICHT
FORE:Aelian mentions other remarkable examples of the piety displayed by brutes. Elephants worship the sun, stretching out their trunks to it like hands when it rises while men doubt the existence of the gods, or at least their care for us. There is an island in the Black Sea, sacred to Heracles, where the mice touch nothing that belongs to the god. When the grapes which are intended to be used for his sacrifices begin to ripen, they quit the island in order to escape the temptation of nibbling at them, coming back when the vintage is over. Hippo, Diagoras, Herostratus, and other enemies of the gods would, no doubt, spare these grapes just as little as anything else that was consecrated to their use.353For the rest of the journey I used my only remaining means of transport, my legs, and after a walk of some hours got to the frontier of The Netherlands near Oud-Vroenhoven. A Netherland custom-house officer asked for my papers, and I showed him my huge passport. The man looked at the sheet critically, and made out that I could not possibly be a Netherlander, as I was the holder of a "foreign" passport.
This is bold and this is strong. This is italic and this is emphasized.
This is superscript text and this is subscript text.
This is underlined and this is code: for (;;) { ... }. Finally, this is a link.
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TWO:"I should like to know what you make of them," said Lawrence.
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FORE:My "foreign" passport was, of course, in French, of which language the man evidently knew not a word. Although I explained that this passport was the best one could get in The Netherlands, that I had paid six guilders and seventy-five cents for it, that I was a war-correspondent of De Tijd, it was all useless. I had to go with him to the guard-house, and the man kept the queer passportthe damning piece of evidencefirmly in his hand. All the inquisitive loafers, of which the frontier was full during those days, followed me, and so we went in procession to the guard-house, at some distance from the frontier. I heard all sorts of discussions behind me, and constantly caught words like: German, boche, deserter, franc-tireur, spy, and other complimentary niceties.
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Preformatted
i = 0;
while (!deck.isInOrder()) {
print 'Iteration ' + i;
deck.shuffle();
i++;
}
print 'It took ' + i + ' iterations to sort the deck.';
FORE:We have now to show what new beliefs gained most ground, and what old beliefs were most successfully revived, through the combination of favourable conditions, an analysis of which has been attempted in the preceding pages. Among the host of creeds which at this period competed with one another for the favour of the rich or for the suffrages of the poor, there were some that possessed a marked advantage over their rivals in the struggle for existence. The worship of Nature considered as imaging the vicissitudes of human life, could not fail to be the most popular of any. All who desired a bond of sympathy uniting them with their fellow-subjects over the whole empire, and even with the tribes beyond its frontiers, might meet on this most universal ground. All who wished to combine excitement with devotion were attracted by the dramatic representation of birth and death, of bereavement and sorrow and searching, of purification through suffering, and triumphant reunion with the lost objects of affection in this or in another world. Inquisitive or innovating minds were gratified by admission to secrets a knowledge of which was believed to possess inestimable value. And the most conservative could see in such celebrations an acknowledgment, under other forms, of some divinity which had always been reverenced in their own home, perhaps even the more authentic reproduction of adventures already related to them as dim and uncertain traditions of the past. More than one such cultus, representing under the traits of personal love and loss and recovery, the death of vegetation in winter and its return to life in spring, was introduced from the East, and obtained a wide popularity through the empire. Long before the close of the republic, the worship of Cybele was established in Rome with the sanction of the Senate. Other Asiatic deities of a much less respectable character, Astarte and the so-called Syrian goddess, though not officially215 recognised, enjoyed a celebrity extending to the remotest corners of the western world.327 Still greater and more universal was the veneration bestowed on Isis and Serapis. From the prince to the peasant, from the philosopher to the ignorant girl, all classes united in doing homage to their power. Their mysteries were celebrated in the mountain valleys of the Tyrol, and probably created as much excitement among the people of that neighbourhood as the Ammergau passion-play does at present.328 An inscription has been discovered describing in minute detail an offering made to Isis by a Spanish matron in honour of her little daughter. It was a silver statue richly ornamented with precious stones, resembling, as our authority observes, what would now be presented to the Madonna,329 who indeed is probably no more than a Christian adaptation of the Egyptian goddess. And Plutarch, or another learned and ingenious writer whose work has come down to us under his name, devotes a long treatise to Isis and Osiris, in which the mythical history of the goddess is as thickly covered with allegorical interpretations as the statue dedicated to her by the Spanish lady was with emeralds and pearls.I.
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FORE:Sweet tones are remembered not.CHAPTER LX. NARROWED DOWN.
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FORE:It is not assumed that an actual design can be made which by words alone will convey a comprehensive idea of an organised machine; it is intended to map out a course which will illustrate a plan of reasoning most likely to attain a successful result in such cases.
FORE:130I wonder whos in it? Dick mused as Jeff cut the gun and went into a glide, the better to get a look at the oncoming craft low over the seashore.
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Fringilla nisl. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent.
Fringilla nisl. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent tincidunt felis sagittis eget. tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan eu faucibus. Integer ac pellentesque praesent.
In order to understand how so vigorous an intellect could go so wildly astray, we must glance at his personal history, and at the manner in which his system seems to have been gradually built up.Prout looked keenly around him. He opened the back door into a yard that gave on to a lane at the back of the house. The bricks were damp and mossy, and on them was something that looked like the print of wheels. The door leading to the lane was wide, and on the edge on both sides something patchy glistened. Prout touched it with his fingers.The theorems, formul?, constants, tables, and rules, which are generally termed the principles of mechanics, are in a sense only symbols of principles; and it is possible, as many facts will prove, for a learner to master the theories and symbols of mechanical principles, and yet not be able to turn such knowledge [2] to practical account.The sun was already setting, and became still redder, making still more abominable and more infernal the glare of the burning town. Nobody moved about in this abode of death.It would seem from this singular and touching expression of gratitude that the deathless idealism of Hellas found in Neros gift of a nominal liberty ample compensation for the very real and precious works of art of which she was despoiled on the occasion of his visit to her shores. At first sight, that visit looks like nothing better than a display of triumphant buffoonery on the one side and of servile adulation on the other. But, in reality, it was a turning-point in the history of civilisation, the awakening to new glories of a race in whom life had become, to all outward appearance, extinct. For more than a whole century the seat of intellectual supremacy had been established in Rome; and during the same period Rome herself had turned to the West rather than to the East for renovation and support. Caesars conquests were like the revelation of a new world; and three times over, when the two halves of the divided empire came into collision, the champion who commanded the resources of that world had won. Henceforth it was to her western provinces and to her western frontiers that Rome looked for danger, for aggrandisement, or for renown. In Horaces time, men asked each other what the warlike Cantabrians were planning; and the personal presence of Augustus himself was needed before those unruly Iberians could be subdued. His adopted sons earned their first laurels at the expense of Alpine mountaineers. His later years are filled with German campaigns; and the great disaster of Varus must have riveted attention more closely than any victory to what was passing between the Rhine and the Elbe. Under Claudius, the conquest of Britain opened a new source of interest in the West, and, like Germany before, supplied a new title of triumph to the imperial family. Half the literary talent in Rome, the two Senecas, Lucan, and at a269 later period Martial and Quintilian, came from Spain, as also did Trajan, whose youth fall in this period.